The year 2020 and during this covid 19 pandemic, requires me to experiment again and make changes in my working methods. My interest in participatory methods in creating works was immediately hampered by the suggestion to maintain physical distance, which then resulted in the loss of the essence of direct experience and the performativeness between the artist and the participants. Studio-based work methods then become the most reasonable choice these days. In this series of works, I collect old photos from thrift or antique places around the city of Yogyakarta. The photos of these findings are mostly personal archives, whose origin is then unknown. The photos that have been collected then I respond using text or add other visual forms so that it is hoped that it can bring up new interpretations that include broader narratives such as issues of race, power, ecology.The finished works are then recorded using the scannography method, aiming to allow the desired image enlargement, to bring out the texture of paper and ink along with the statement of the work to be more visible and strong.